I started writing this essay following a re-reading this summer of Rudolf Steiner’s Education for Adolescence during which I was reminded of a pet peeve: Waldorf teachers, at least in the U.S., talk about a three-day rhythm to “main lesson” classes. Steiner is clear, however, that the rhythm of a lesson occurs over two days and in no real way can be construed to be divided into three parts (thinking, feeling, will). I was then pleased to discover that Christof Wiechert, leader of the Pedagogical Section of the Anthroposophical Society, and a Waldorf school graduate, has written about this as well. He does not address what Steiner does say about such a lesson, but he identifies the myth of the three-part lesson. He also raises several other myths in two related articles. These myths have been on my list for a while, so it’s time to write them up.
The point is not to castigate those who have adopted these practices, but to point out that these practices have little or no basis in Steiner’s work, cannot be said to be essential to our practices, and may well be replaced with other, more healthful, more educational, more effective practices. And all this speaks again to the importance of 1.) continued immersion in Steiner’s work as the foundation for our thinking about Waldorf education and 2.) continued research in teaching (remember, that’s the point of our weekly faculty meetings). Four or five generations in, word-of-mouth, oversimplification, static, and all manner of other distractions are bound to enter the domain of our work, and it’s up to us to review and renew it.
1. “Three-part” Lessons.
How do you teach in a Waldorf School?
You teach a lesson over three days, addressing thinking, feeling, and will, right? Or you make sure to address thinking, feeling, and will—the order varies depending on the lesson and on whom you read—in every lesson, a “threefold” [abuse of the word; three parts does not make threefold] lesson?
WRONG. So wrong. There is no reference in Steiner’s work to anything like this. I’d like to be corrected, but I doubt that such a reference exists.
Don’t just take it from me. Wiechert writes, “There are no grounds to be found for dividing the main lesson into three parts in Steiner’s work, neither in the lectures nor in the books of the teachers’ meetings.” (Italics in original.) Later, “…this three-fold structure does not belong to the essential characteristics of Waldorf education. On the contrary, it can be a hindrance to the development of a teacher-pupil relationship which breathes between teaching and learning.”
A slightly longer version of Wiechert's article may be found here.
So what does Steiner suggest? Well, one primary source is in the third lecture of the mistitled Education for Adolescence, formerly The Supplementary Course, given in the spring of 1921 for ALL teachers at the original Waldorf School. Here Steiner discusses a two day rhythm, and one that addresses students first in “their whole being,” and then in imagination, then in sleep, and then in judgment, discernment, or conclusion-forming. To be clear, the imaginative and the judgment-oriented portions of the lesson, separated by sleep, both address the realm that we may call “feeling.” Feeling isn’t just one capacity among three; it is the gateway between which thinking and will must pass on the journey from one to the other, in either direction.
(Which leads me to the following digression: All those “threefold” logos that Waldorf schools adopt aren’t actually threefold. A lemniscate [think of an 8 on its side], the symbol of infinity, is threefold in that the two “lobes” on either side are connected by a crossing, the third, connecting part. Any form with three lobes is minimally four-fold.)
In this passage, Steiner doesn’t address class work or homework. (Dogmatists will say that Steiner was “against” homework, but this clearly isn’t true. Briefly, we can say he was in favor of meaningful work.)
Steiner’s description of a lesson is more beautiful, more real, more practical, and less fragmented, less schematic, less pedantic, than some easier-to-remember but false idea of a lesson.
For Wiechert, “The real rhythm, which we must always heed, is not between parts of the main lesson, but rather the rhythm which reveals itself with the children or pupils. When do they get tired, when do they waken up? That is the essential consideration. Whoever teaches according to this principle, will dissolve half the discipline problems just through doing this.” Recall that for Steiner, spirit, consciousness, expresses itself in states of waking, dreaming, and sleeping.
Waldorf teachers, if you have bought the three-part lesson, I urge you to reconsider. September is right around the corner. No time like the present.
2. Recorder (flute) Playing.
Here is Wiechert: “Thus, I dare to question whether playing the recorder in the first part of the morning is the right activity. Just watch a group of children that plays the recorder in the early morning and a group of children who do this in the music lesson later in the morning. A great difference is to be noticed; (a difference which, strangely enough, is not to be noticed with singing).”
3. Clapping, Stomping Math Games.
Wiechert, again: “How about the much praised stamping, what does that achieve? You can see that it makes the children tired instead of awake. Stamping makes them tired, not awake.” Later, “The idea is very widespread that you stamp around vigorously with a group of children in order to get them awake. In fact, it has the opposite effect. You can observe it with the practicing of the times table when it is linked to movements. Then you will see the pupils carrying out the procedure ‘as in a dream.’ Spoken in chorus a kind of ‘trance’ ensues: it is carried out as in sleep. Teachers will do well to lose no time in breaking this link between movement in sleep and knowledge gained through wakefulness.”
If we conduct our research as we should, we will discover, I have little doubt, that rhythmical repetition of math times-tables is actually a poor way to teach them, whether with clapping, with stomping, or with beanbag tossing. Students are resilient and usually learn what we have to teach them despite our poor methods. But there are plenty of children who simply don’t easily make the conceptual leap from the chanting and stamping to the beauty, patterns, and concepts of math. I wrote this when I wrote about freeing the math gnomes, and I’ll write it again: Read Steiner on math teaching. Read von Baravalle on math teaching. There’s nothing trance-inducing there.
4. Too Many Stories.
Wiechert’s on a roll. Here is a myth that had not occurred to me, but, reading him, I concur. “How many tales and stories can people ‘stand’ in a day, in a week? The handwork teacher reads something as the children are so hard-working, on the same day there is a religion lesson and the stand-in teacher has brought a story from his ‘emergency reserves ’ with him. Have the teachers in the college meeting concerned themselves with the issue of how many stories a certain class hears in the course of a day?”
(Note: German schools may have a religion lesson as part of the school week. Not just for the children of anthroposophists, for whom Steiner created the “independent religion lesson,” but for all denominations. U.S. schools generally do not, unless they are religious academies. Waldorf schools in the U.S. do not have such lessons.)
School ended at lunchtime in Steiner’s day, and “main lesson” was followed by classes in which teachers were not necessarily expected to tell stories or use verses.
Can we address Wiechert’s questions? Or are we too set in our ways?
5. Annual Class Play.
Drama is important in the lives of children. Doing a play every year is not, nor can any reference to such a practice be found in Steiner’s work. In another article, Wiechert writes in some detail of the history of plays, and Steiner’s words on drama in schools.
6. Block Crayons.
These are not suited to anyone’s hand for writing, and are designed for and convenient for creating washes of color. Here’s Wiechert: “In Waldorf schools worldwide there is an established custom that colored wax crayon blocks, then later on colored wax crayons are used for the first lessons in writing.
The question of the ergonomics of the wax crayon blocks was settled a long time ago: they were never thought of as instruments of writing, but for laying on expanses of color. Of course, you can make straight lines and bent lines with blocks too. However, a glance at the children’s hands shows that they hold the blocks in an unnatural and cramped way. It makes sense to get their little hands used to the wax crayons that nestle better in their hands from the very outset. (Yet the question needs to be raised - and allowed – as to how it would be if people in far off countries would look around to see what the local markets offer by way of writing equipment and other implements before falling back on these particular items. This gesture of looking to see what is available in the topical culture of the country concerned, that can be connected with, is a gesture to be positively affirmed in principle).”
7. Borders in Main Lesson Books.
Wiechert says it all: “One result of the use of the wax crayon blocks is that before use a page is framed first in colored borders. When this occurs for a definite and appropriate purpose and it is carried out carefully, there can be no objection: it will draw attention to what is being presented. However, when it happens automatically, as you will find in nearly all schools in the world (!), and when you hear, upon enquiring, it belongs to Waldorf schools, or else it is the way it was taught in the Seminar, or else has been discovered in other main lesson books, which have been shown as exemplary, then a habit has been established once again which shoots wide of its target. For as a rule these borders are anything but beautiful. A fine, purposeful knack, the striving to shape the main lesson book aesthetically gives birth to the opposite.”
8. Main Lesson Books.
Some classes, courses, and students benefit from them, if they are produced by good teachers teaching well, but the idea that they belong to Waldorf schools or Waldorf education—or, that, if a teacher does not choose to have the students make such books, he or she is not a Waldorf teacher—is wrong.
Wiechert: “Nonetheless, this use of the main lesson book must be in keeping with the dynamics of the child’s development. For younger children the main lesson book can almost represent a threat on account of its defining character: every mistake is written permanently, is there for good, can no longer be put right. The white sheet can instill fear. In the first few years of school there should be main lesson books with removable pages or else a system consisting of loose leaves.
"If we look at the middle school classes, we see the main lesson book in an intense battle of competition with knowledge available on the internet. In these new circumstances, the keeping of the main lesson book as an aesthetic-artistic task can be reduced to the ‘sticking in’ of facts that more or less belong to the lesson, which have been ‘Googled’ or downloaded from Wikipedia. The balancing between what is heard and seen becomes skewed. However, this balancing of what is heard and seen is the instrument of the flexible-musical study of man.
"The core of Steiner’s pedagogy was not meant as an object of study, but as an application for every day teaching. The work in the main lesson books in a meaningful balance is such an application in the day to day work.”
9. Building Projects in 3rd Grade.
Many schools in Germany and the U.S. more or less insist that 3rd graders build something, consonant with their study of housing. It’s just not necessary nor does it accord with Steiner’s words.
Wiechert: “[Steiner] makes it clear not everyone has to build on the school grounds! … Whoever’s school is on the coast can concern themselves with fishing, whoever is in the mountains with his school, where possible with quarrying, whoever has his school near a car factory, where possible with metalwork or forging. The freedom to shape it is huge, in the Richter Curriculum it is pointed out with great clarity by Tobias Richter.
“Why this great detail? There are two motives behind it; firstly, because there is the danger that a class three that does not leave behind something they have built on the school grounds will easily be considered as not conforming to the curriculum. Yet, such an insinuation has no basis whatsoever.
Secondly, you cannot help wondering whether it is right that year after year pupils pass by something on the school grounds that only in the rarest cases (with a bench or a functioning oven) has some practical purpose. Steiner attached great value to the practical aspect particularly with all crafts; it should be something that makes sense. Even a tree house, beautifully made with the industrious participation of the parents with the pupils, is something dead for the following school year.”
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I’m sure this article, as my previous “Playing ‘Steiner Says,’” will arouse objections from some and dismay in others. I welcome debate about these important matters. But can we admit we were wrong, working from faulty understanding? Can we serve the children we teach by examining our habits and practices and changing them when they are deficient? If we don’t, if we can’t, can we really say we’re practicing “Waldorf education”?
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