Once Harry Kretz asks a question, he stands and he waits. You can see that he is willing to wait while civilizations rise and fall, oceans dry up, stars die and fall from the sky, the universe rumbles to an end, bang or whimper. He’s present, attentive, with his students, but waiting. He has asked a real question that a real student needs to answer for a real reason. Not to prolong a class, or to demonstrate knowledge, or to be pedantic, but because he’s teaching young human beings and it’s necessary for them to exercise themselves, to rouse their minds to activity, to make connections for themselves. Mr. Kretz asks a question that requires students to engage, to think, to draw new connections, to make an insightful leap across a previously uncrossed gap.
Mr. Kretz, one of the finest teachers I have known—patient, respectful, humorous—will tell you that many teachers, especially young, smart ones, don’t really know how to ask questions. “Don’t ask a question that you don’t actually care if the students answer,” he might say. And, once you’ve asked a question that you believe students should answer, don’t do what too many of us do. We wait a couple of seconds and then, impatient, the onrushing momentum of an un-taught curriculum or the threat of silence or of boredom upon us, we answer it for ourselves. And our students relax back into watching the teacher’s show.
“Er. Um.” A student hazards a guess, voice rising at the end, questioning. Mr. Kretz absorbs this answer and asks another question.
(Speaking of leaps, Helen Keller compared leaps of mind and dancing. Here’s Merce Cunningham from Russell Friedman’s biography of Martha Graham: “[I] felt [Helen Keller’s] two hands around my waist, like bird wings, so soft. I began to do small jumps. Her fingers, still around my waist, moved slightly as though fluttering. I stopped, and was able to understand what she said to her companion: ‘So light, like the mind.’” Sometimes, poetic truth and literal truth are the same thing.)
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